|
Mythology of the constellation Telescopium
|
Cat's Paw Observatory;
18:30:51
| Home |
|
|
Between 1751 and 1752, whilst staying in Cape Town, Abbe Nicolas Lacaille mapped and named
fourteen constellations in the Southern hemisphere. Three of these were in honour of the Arts -
CAELUM, The Chisel, a sculptor's tool;
PICTOR, The Painter's Easel; and
SCULPTOR, The
Sculptor (originally called L'atelier du sculpteur, i.e. sculptor's workshop). But the majority of these
modern constellations celebrated new scientific inventions, these being:
ANTLIA, The Air Pump,
which had been developed by the physicist Denis Papin (1647-1712);
CIRCINUS, The Compasses,
named for the compasses so vital to surveyors;
FORNAX, The Furnace, a chemical instrument;
HOROLOGIUM, The Clock, honouring the
invention of Dutchman Christiaan Huygens;
MICROSCOPIUM, The Microscope, which was to bring enormous advantages to all branches of
science;
NORMA, The Level, a set square used both
by sailors as they travelled on their voyages of
discovery and by the carpenters who built their vessels;
OCTANS, The Octant, a prototype of the
sextant, which had only recently (1730) been invented by John Hadley;
PYXIS, The Compass, another
instrument so essential to seafarers;
RETICULUM, The Net, most probably a kind of grid used on the
eyepiece of a telescope to aid judgement of scale and location; and, finally,
TELESCOPIUM, The
Telescope, so essential to his own studies. The fourteenth constellation he named
MENSA, The
Table Mountain, honouring the site where he had carried out his work.
|
|
|
|
|
|